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Chapter Two
Sheetmusic to print
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Maestro Guitar Method - Chapter Two
Guitar Ensemble Guitar - Level 1 - Digital Download SKU: A0.1351540 By Daniel Charl…
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Guitar Ensemble Guitar - Level 1 - Digital Download SKU: A0.1351540 By Daniel Charles Kotval. By Daniel Charles Kotval. Arranged by Daniel Charles Kotval. Blues,Classical,Folk,Rock,Traditional. Educational Method. 14 pages. Daniel Charles Kotval #936393. Published by Daniel Charles Kotval (A0.1351540). Maestro Guitar Method Chapter Two of six chapters. Learn to play guitar and read music with this effective and innovative approach that uses step-by-step instruction in a smooth and thorough progression. A journey from the beginning for all ages and levels suitable for students and teachers. This second chapter covers lessons for notes on the second string along with a review of the previously introduced notes. The complete method (208 pages) is available, but cannot be previewed due to the large file size. 14 pages.
$10.00
9.33 €
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Daniel Charles Kotval
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Maestro Guitar Method - Chapter Two
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Daniel Charles Kotval
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SheetMusicPlus
Chapter Two
1 Piano, 4 hands
1 Piano,4 Hands,Cello,Clarinet,Flute,Vibraphone,Violin - Level 3 - Digital Download SKU…
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1 Piano,4 Hands,Cello,Clarinet,Flute,Vibraphone,Violin - Level 3 - Digital Download SKU: A0.1103677 Composed by Siobhan Dyson. 20th Century,Chamber,Classical,Film/TV. 50 pages. Siobhan Dyson #706947. Published by Siobhan Dyson (A0.1103677). Chapter Two This small ensemble piece was written to showcase Siobhan’s second chapter in her life. After six years of higher education study, Siobhan is now ready to move onto the next chapter of her life by writing music for a variety of studios and companies. Siobhan is confident in her pursuit of becoming a well-known composer who is known for writing music for a variety of media. She is already undertaking this task by writing for a documentary and a potential game. Siobhan feels ready to leave and cannot wait to see what this next chapter brings her. She wrote this piece as a farewell to her lecturer of her entire RCS career, Dr Oliver Searle who she has admired and adored throughout her studies. Note from the composer: Dear Oliver, Surprise, I wrote this to say thanks to you, embarrassing I know :/ So as my last final effort to embarrass both of us I wrote this into my programme note. (Kind of cringey and, as I am writing this, I’m getting totes emosh) Thank you for being the best lecturer I could have ever asked for, thank you for being a great person who is caring, kind and someone who truly listens and teaches well. I hope to make you proud in my pursuits! I will always look back on the times of terrible dad jokes (not me), trying to break my stubbornness and all the funny times we had (mostly me :P). I will cherish all you have taught me (except the key signature thing, still not changing my mind on that). You have watched me grow into this weird, funny, and slightly embarrassing person. I don’t think I would be where I am today without you and, from my dark, dark evil heart, thank you for pushing me to being the person I am today. (So, if it all goes wrong, I blame you :P) K, Thanks. Signed: Your favourite.
$48.00
44.78 €
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1 Piano, 4 hands
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Siobhan Dyson
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Chapter Two
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Siobhan Dyson
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SheetMusicPlus
Chapter Two Etude
Piano solo
Piano Solo - Digital Download SKU: A0.902677 Composed by MICHAEL TARRO. Contemporar…
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Piano Solo - Digital Download SKU: A0.902677 Composed by MICHAEL TARRO. Contemporary. Score. 2 pages. Michael Tarro #6717059. Published by michael Tarro (A0.902677). Chapter Two Etude is a flowing uptempo classical piece. it was the very first piece of music that I had written following heart surgery,. Felt like it was Chapter Two of my life. Michael Tarro is an author for Hal Leonard and Santorella Publications. Additional music scores written and arranged by Michael Tarro are available through this website: https://www.sheetmusicplus.com/search?Ntt=Michael+Tarro+music.
$4.99
4.66 €
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Piano solo
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MICHAEL TARRO
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Chapter Two Etude
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michael Tarro
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SheetMusicPlus
Music Theory for Young Beginnersâ“Hey, Notes!” - Chapter Two
Piano solo
Piano - Level 1 - Digital Download SKU: A0.1407502 Composed by AJ Tan. Children,Ins…
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Piano - Level 1 - Digital Download SKU: A0.1407502 Composed by AJ Tan. Children,Instructional. Educational Exercises. 51 pages. AJTanPiano #990164. Published by AJTanPiano (A0.1407502). Music Theory for Young Beginners―“Hey, Notes!” is a digital workbook series with exercises, games, and songs suitable for music beginners ages 4 to 9. The series covers the fundamentals of music theory in three chapters. It is written for piano lessons but could also be used in any music class setting. Once you complete all three chapters, you are ready for most grade-one theory exams (if you want to test your knowledge with an exam).“Hey, Notes!” Chapter 2 covers the musical staff, notes, and simple quarter-note meters. It also covers articulations, performance directions, and more tempo terms.Note: the book jumps from topic to topic, slowly increasing the information as it progresses. However, you could skip around and look at any pages relevant to your lesson or use this digital workbook as a revision before progressing to the next grade.
$6.99
6.52 €
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Piano solo
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AJ Tan
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Music Theory for Young Beginnersâ“Hey, Notes!” - Chapter Two
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AJTanPiano
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SheetMusicPlus
DANIEL SAW THE STONE - a Spiritual from the early 1900's, based on Daniel chapter 2.
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522311 Composed by Traditi…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522311 Composed by Traditional. Arranged by Paul A. Jorg. A Cappella,Spiritual,Traditional. Octavo. 3 pages. Paul A. Jorg #5777319. Published by Paul A. Jorg (A0.522311). THE SONG DEPICTS THE STORY OF KING NEBUCHADNEZZAR'S DREAM AS INTERPRETED BY THE PROPHET DANIEL IN CHAPTER TWO OF HIS BOOK. THIS SPIRITUAL WAS SUNG BY THE ARRANGER IN THE LATE '50'S IN A COLLEGE MEN'S CHORUS, ALTHOUGH NO MUSIC WAS EVER SEEN; IT WAS SIMPLY PASSED DOWN YEAR TO YEAR IN THE CHORUS. AN EARLY RECORDING BY THE SILVER LEAF QUARTETTE, A BLACK GROUP IN THE LATE '20'S OR EARLY 30'S, HAD SLIGHTLY DIFFERENT WORDS, WITH THEIR HARMONY BEING DEEPLY SPIRITUAL, QUITE DIFFERENT FROM THIS ARRANGEMENT. LIKE MANY EARLY NEGRO SPIRITUALS AND SEA SHANTIES, THERE IS NO RECORD OF COMPOSERS. RALPH STANLEY AND HIS GROUP HAVE A BLUEGRASS VERSION WITH A DIFFERENT HARMONY, AND THE GROUP PHISH ALSO HAS A RECORDING OF THE SONG. THERE ARE A DOZEN OR MORE DIFFERENT VERSES OF LYRICS THAT HAVE BEEN USED BY VARIOUS GROUPS DOWN THROUGH THE DECADES. HERE'S HALF A DOZEN - FOR A CAPPELLA TTBB.
$4.59
4.28 €
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Choral TTBB
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Traditional
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DANIEL SAW THE STONE - a Spiritual from the early 1900's, based on Daniel chapter 2.
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Paul A. Jorg
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SheetMusicPlus
FOR IF WE DIED WITH HIM (SATB) w/Rehearsal Piano – 2 Timothy 2:11-13
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.926665 Composed by Michael…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Published by M.A. Morizio (A0.926665). In the first chapter of Paul’s second letter to Timothy, verses 1-10, we observe the intimate relationship that exists, between a spiritual father and his son… I remember you constantly in my prayers night and day. As I remember your tears, I long to see you, that I may be filled with joy. In Chapter two we also witness Paul’s commissioning Timothy to entrust to faithful men all that he was taught by the Apostle, that they then may be able to teach others in the same way also. While the elder Paul is now in prison and bound in chains, he is nonetheless empowered by the Holy Spirit to encourage and exhort Timothy to share in suffering as a good soldier of Christ, for the sake of the Gospel. Though Paul is bound in chains, he declares to Timothy the word of God is not bound! Endurance for Paul serves only one purpose, the salvation that is in Christ Jesus with eternal glory.In verse 11, Paul supports his statements by inserting another known 1st century Hymn to Christ, which brings us to our fifth anthem, For If We Died with Him. The text-or lyrics-of this hymn are even bracketed (or indented) in the NKJV Bible, suggesting the hymnic setting. The proposition of the text is quite clear; if we died with Christ, then we shall also live eternally with Christ. If we endure in the faith, then we shall also reign eternally with Christ. However, there is an insertion of 'Law' here, with a dire warning that the opposite is also true: If we deny Christ, resist, and refuse His beckoning and free invitation to salvation, then He will also deny us. Not everyone who says to me ‘Lord, Lord,’ will enter the kingdom of heaven… I will declare to them, ‘I never knew you; depart from me, you workers of lawlessness.’ (Matthew 7:31-23). Thus, the stage has been set for the fifth anthem. The piece is composed for SATB a cappella. The key is F Major. The opening phrase, This is a trustworthy saying, is in ¾ time, where a series of triplets are sung three times each (the Trinitarian opening motif). The meter then shifts to 2/4 with a lovely, distinctive unison melody for the opening phrase, For if we died with Him, we shall also live with Him. Soon after, when the lyrics shift to the words, If we deny Him, He will also deny us, the song drops into the relative minor key (F minor). The melody in this passage is haunting, and sends a clear warning signal to the listener to pay heed to what is being sung. When the text then transitions from if we are faithless, He remains faithful, however, the key shifts back to F Major in a new (dance-like) rhythm for the final verse, He remains faithful, for He cannot deny Himself. A coda is inserted in the final phrase where the triplet pattern is recapitulated (This is a trustworthy saying) and the sopranos ascend to a high F singing the lyrics, we shall live, for He remains faithful! to triumphantly end the piece.
$1.99
1.86 €
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Choral SATB
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Michael A
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FOR IF WE DIED WITH HIM
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M.A. Morizio
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SheetMusicPlus
Two Thousand Years Ago
Choral Unison
Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.954466 Composed by Jonat…
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Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.954466 Composed by Jonathan Chapter. 20th Century,Christian,Christmas. Octavo. 10 pages. Jonathan Chapter #3228257. Published by Jonathan Chapter (A0.954466). For voices (divided into two parts in the chorus), trumpet, piano, drums and bass.
$4.50
4.2 €
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Choral Unison
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Jonathan Chapter
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Two Thousand Years Ago
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Jonathan Chapter
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SheetMusicPlus
Lord, now lettest thy servant go in peace
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.887214 Composed by Daniel …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.887214 Composed by Daniel J. Ward. Sacred. Octavo. 7 pages. Daniel J. Ward #4317649. Published by Daniel J. Ward (A0.887214). I was inspired to write upon hearing the Gospel of John chapter one, the notion of Jesus being the Light that darkness cannot comprehend or defeat. That combined with the Canticle of Simeon in Luke chapter two, of letting go into the arms of the Light that overcomes all darkness stuck with me in times when I needed something to hold onto. - DW .
$2.15
2.01 €
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Choral SATB
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Daniel J
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Lord, now lettest thy servant go in peace
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Daniel J. Ward
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SheetMusicPlus
Twenty-four Exercises for Two Cellos, Op. 159
2 Cellos (duet)
Cellos - Level 3 - Digital Download SKU: A0.1042144 Composed by Johann Justus Fried…
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Cellos - Level 3 - Digital Download SKU: A0.1042144 Composed by Johann Justus Friedrich Dotzauer. Arranged by Carl Hüllweck. Children,Classical,Instructional,Romantic Period. Educational Exercises. 112 pages. Artistic Score Engraving di Galvagno Michele #646942. Published by Artistic Score Engraving di Galvagno Michele (A0.1042144). The Twenty-four Exercises for Two Cellos, Op. 159, by Johann Justus Friedrich Dotzauer, continue and conclude the series dedicated to the neck positions. These, alongside the just published Twelve Original Pieces, Op. 58, cover the first four positions in all possible variations, using an incredible richness of forms, melody, harmony, and rhythm. After these thirty-six little gems, your students will be able to face much greater challenges with renewed strength and assertiveness. While Op. 58 focused mostly on Theme with Variations, Op. 159’s most used form is the rounded binary one, while no less than three full-fledged fugues enrich the practicing landscape. Due to the lack of the original manuscript, lost during Steiner & Bell’s acquisition of Augener & Co., this edition is based on two surviving editions, by Carl Hüllweck and Johannes Klingenberg, both published in the first decade of the XX century, about 40 years after Dotzauer’s passing. To provide you with the greatest flexibility and choice possibilities, this edition comes in several versions (only C available here, others available on Gumroad): - A: a score only one, based on Hüllweck; - B: two separate sets of parts, one per editor; - C: a score & parts bundle, based once more on Hüllweck; - D: finally, a Collector’s Edition, containing all this, plus a long chapter comparing all differences between Hüllweck’s and Klingenberg’s versions, and an interactive PDF where, at the press of a button, you will be able to switch to the other version of the current part! All PDFs have been optimised to be of the highest Press Quality and lightweight. I truly hope you are going to enjoy this beautiful music and that your cello playing will reach new heights thanks to it!
$24.95
23.28 €
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2 Cellos (duet)
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Johann Justus Friedrich Dotzauer
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Twenty-four Exercises for Two Cellos, Op. 159
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
THE GREAT HUMILITY OF CHRIST (SATB) – Philippians 2:5-11
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926663 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926663 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 7 pages. M.A. Morizio #3588423. Published by M.A. Morizio (A0.926663). In chapter two of Paul's letter to the Philippians, Paul begins speaking to his readers about encouragement, comfort from love, participation in the Spirit, and godly affection and sympathy for one another. He says, we are to count others as more important than ourselves. He pleads, Complete my joy by doing these things. From this point, Paul breaks immediately into this other known 1st century Hymn to Christ (Verses 5-11), which I have called, The Great Humility of Christ. The hymn text is a beautiful exposition of the Gospel; Christ in the form of God, did not hold onto (grasp) His equality with God, but humbled Himself and took on the human form of a servant (slave) and poured Himself out for all of mankind. The anthem is composed for SATB (a cappella) choir in two stanzas, with a bridge section and a coda. The piece is scored in D minor, but weaves between D minor and G Major (representing the dual natures of Christ-fully God and fully man). After the first stanza, regarding Christ’s taking on human flesh, the unthinkable happens; Christ humbles Himself in holy obedience to be put to death, even a humiliating and repugnant death on a cross. Here in the anthem we find the musical bridge between the two stanzas with the sopranos holding onto a single note (high D) followed by a cascade of dissonant suspensions, one voice handing off to the other, finally resolving in a descending scale.The second stanza declares God’s having exalted Christ as a consequence of His sacrifice, giving Him a name that is above every name, that at the name of Jesus every knee shall bow, in heaven and on earth and under the earth. The final coda (in G Major) trumpets the pronouncement that; Every tongue will confess that Jesus Christ is Lord, to the glory of the Father.
$1.99
1.86 €
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Choral SATB
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Michael A
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THE GREAT HUMILITY OF CHRIST
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M.A. Morizio
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SheetMusicPlus
Coventry Carol - Traditional (Voice & Ukulele)
Instrumental Duet Instrumental Duet,Ukulele,Voice - Level 1 - Digital Download SKU: A0.…
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Instrumental Duet Instrumental Duet,Ukulele,Voice - Level 1 - Digital Download SKU: A0.908385 Composed by Traditional. Arranged by John M. Licari. Christmas,Instructional,Sacred,Standards. Score and parts. 4 pages. Music Preparation Services #4987589. Published by Music Preparation Services (A0.908385). Coventry CarolTraditional; Arranged by John M. Licari (Voice & Ukulele)Music Preparation Services www.musicprepsevices.com See my other arrangements here: https://www.sheetmusicplus.com/publishers/music-preparation-services-sheet-music/3005054The Coventry Carol is an English Christmas carol dating from the 16th century. The carol was traditionally performed in Coventry in England as part of a mystery play called The Pageant of the Shearmen and Tailors. The play depicts the Christmas story from chapter two in the Gospel of Matthew: the carol itself refers to the Massacre of the Innocents, in which Herod ordered all male infants under the age of two in Bethlehem to be killed, and takes the form of a lullaby sung by mothers of the doomed children. The music contains a well-known example of a Picardy third (G major cadence in the key of G minor). The author is unknown; the oldest known text was written down by Robert Croo in 1534, and the oldest known setting of the melody dates from 1591.[1] There is an alternative, modern setting of the carol by Kenneth Leighton, and another by Philip Stopford. (Taken from the Wikipedia Entry).This arrangement is for voice and ukulele (melody and chords).
$1.99
1.86 €
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Traditional
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Arranged by John M
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Coventry Carol - Traditional
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Music Preparation Services
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SheetMusicPlus
The Coventry Carol
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1305680 Composed by Traditional. A…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1305680 Composed by Traditional. Arranged by Simon James. Christmas,Classical,Contemporary,Historic,Medieval. Individual part. 5 pages. DML #895135. Published by DML (A0.1305680). The Coventry Carol is an English Christmas carol dating from the 16th century. The carol was traditionally performed in Coventry in England as part of a mystery play called The Pageant of the Shearmen and Tailors. The play depicts the Christmas story from chapter two in the Gospel of Matthew: the carol itself refers to the Massacre of the Innocents, in which Herod ordered all male infants under the age of two in Bethlehem to be killed, and takes the form of a lullaby sung by mothers of the doomed children. The music contains a well-known example of a Picardy third. The melody sits well on the guitar, so much so that this arrangement is based on changing key from E minor to A minor to D minor and back again to E minor with the melody always present. In the D minor variation the tune is in the bass.
$2.99
2.79 €
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Guitar
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Traditional
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The Coventry Carol
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DML
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SheetMusicPlus
Coventry Carol - Traditional (Voice & Guitar) - Arranged by John M. Licari
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 2 - Digital Download SKU: A0.9…
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 2 - Digital Download SKU: A0.908412 Composed by Traditional. Arranged by John M. Licari. Christmas,Concert,Instructional,Renaissance,Standards. Score and parts. 4 pages. Music Preparation Services #6129687. Published by Music Preparation Services (A0.908412). Coventry CarolTraditional; Arranged by John M. Licari (Voice & Ukulele)Music Preparation Services www.musicprepsevices.com See my other arrangements here: https://www.sheetmusicplus.com/publishers/music-preparation-services-sheet-music/3005054The Coventry Carol is an English Christmas carol dating from the 16th century. The carol was traditionally performed in Coventry in England as part of a mystery play called The Pageant of the Shearmen and Tailors. The play depicts the Christmas story from chapter two in the Gospel of Matthew: the carol itself refers to the Massacre of the Innocents, in which Herod ordered all male infants under the age of two in Bethlehem to be killed, and takes the form of a lullaby sung by mothers of the doomed children.
$1.99
1.86 €
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Traditional
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Arranged by John M
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Coventry Carol - Traditional
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Music Preparation Services
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SheetMusicPlus
Today Is Born Our Savior (A Christmas Psalm) - two Eb instruments
Alto Saxophone
Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.1012039 Composed by Jeff J…
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Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.1012039 Composed by Jeff Jeckovich. Christian,Christmas,Praise & Worship,Sacred. Individual part. 2 pages. Jeffrey J Jeckovich #3541961. Published by Jeffrey J Jeckovich (A0.1012039). Today Is Born Our Savior (A Christmas Psalm) – parts for two Eb instruments - addendum to the full score of this work. The work is a meditative, contemporary-style musical setting of Psalm 96: verses 1-2, 2-3, 11-12 and 13, with Luke: Chapter 2, verse 11 as the refrain. Specifically, this is the prescribed Lectionary psalm for Christmas Midnight Mass. The piece can also be used as an anthem throughout the Christmas season and on the Feast of the Epiphany.
$1.99
1.86 €
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Alto Saxophone
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Jeff Jeckovich
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Today Is Born Our Savior
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Jeffrey J Jeckovich
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SheetMusicPlus
Coventry Carol - Concert Band with Optional Vocal, Piano and Strings Score and Parts PDF
Concert Band - Level 3 - Digital Download SKU: A0.750801 Composed by 16th Century E…
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Concert Band - Level 3 - Digital Download SKU: A0.750801 Composed by 16th Century English Christmas Carol. Arranged by Brendan Elliget MAGA 537. A Cappella,Christmas. Score and parts. 50 pages. BJE Music #3603901. Published by BJE Music (A0.750801). Coventry Carol - Concert Band (With optional Vocal, Piano and String Parts) Score and Parts PDFThe Coventry Carol is an English Christmas carol dating from the 16th [or 15th] century. The carol was traditionally performed in Coventry in England as part of a mystery play called The Pageant of the Shearmen and Tailors. The play depicts the Christmas story from chapter two in the Gospel of Matthew: the carol itself refers to the Massacre of the Innocents, in which Herod ordered all male infants under the age of two in Bethlehem to be killed, and takes the form of a lullaby sung by mothers of the doomed children.
$30.00
27.99 €
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16th Century English Christmas Carol
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Coventry Carol - Concert Band with Optional Vocal, Piano and Strings Score and Parts PDF
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BJE Music
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SheetMusicPlus
Chapter Two from Up Here - Piano/Vocal/Chords, Singer Pro
Piano, Voice
Sheet Music for Chapter Two from Up Here arranged for Piano/Vocal/Chords;Singer Pro in Bb …
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Sheet Music for Chapter Two from Up Here arranged for Piano/Vocal/Chords;Singer Pro in Bb Major. Digital sheet music from Musicnotes. --
$5.79
5.4 €
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Piano, Voice
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Piano/Vocal/Chords, Singer Pro
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Musicnotes
The Coventry Carol
Harp
Harp - Level 2 - Digital Download SKU: A0.896464 Composed by Folk. Arranged by Lacy…
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Harp - Level 2 - Digital Download SKU: A0.896464 Composed by Folk. Arranged by Lacy Reynolds. Christian,Christmas,Sacred. Score. 2 pages. Lacy Reynolds #4792183. Published by Lacy Reynolds (A0.896464). The Coventry Carol is a 16th century Christmas Carol depicting the bible story from Mathew chapter two and refers to the Massacre of the Innocents, when Herod ordered all male children put to death. This dark song is written as a lullaby sung by the mothers of doomed children. Even with all this, this enchanting lullaby is beautiful. Written for either lever or pedal harp, this piece uses techniques unique to the harp. .
$4.99
4.66 €
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Harp
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Folk
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The Coventry Carol
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Lacy Reynolds
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SheetMusicPlus
Frederick Frahm: Indian Earth for two violins, cello and organ
Small Ensemble Cello,Organ,Violin - Level 5 - Digital Download SKU: A0.534000 Compo…
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Small Ensemble Cello,Organ,Violin - Level 5 - Digital Download SKU: A0.534000 Composed by Frederick Frahm. Contemporary,Folk,Standards,World. Score and parts. 34 pages. Musik Fabrik Music Publishing #3094575. Published by Musik Fabrik Music Publishing (A0.534000). I. INTROIT II. INTERLUDE III. ALLELUIAS Commissioned by the American Guild of Organists,Albuquerque Chapter,For the Region VII AGO Convention, 2009Performance notes:Indian Earth, after a book of poetry by Santa Fe poet Witter Bynner, explores the mystical cultures and resplendent terrain of the AmericanSouthwest. An underlying tenor ofthis collection is the complex relationship between the earth and humanity, and metaphorically the discordbetween native and colonial peoples. Bynner captures the essence of these relationships in this way:It is the earth itself that hems you round against intruders alien to the earth, that brings you heaven under a shadowy tree, curves heaven toyour arm and lets you lie close to its living thorn. The crown is yours, not theirs. You know the one divinity, the only death, the offering ofthe heart to the cruel earth, the love, the consummation.The three movements of the work progress from a quiet melancholy to exuberance, from darkness to light. Frahm makes use of an architecturalapproach to music composition in this piece, as in the building of an adobe wall brick by brick. Self-contained musical structures, often in four barunits, are symmetrically arranged as a technique of musical development. The final movement, 'Alleluias', is based in part on plainchant tone 6 fromthe Graduale Romanum.
$19.95
18.61 €
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Frederick Frahm
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Frederick Frahm: Indian Earth for two violins, cello and organ
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Musik Fabrik Music Publishing
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SheetMusicPlus
THROUGH HIS NAME (SATB) – 1 John 2:12-14
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926666 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926666 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588437. Published by M.A. Morizio (A0.926666). In 1 John, we witness the Apostle (that Jesus loved) writing as the elder statesman of the faith in the last third of the 1st century. In chapter two, verse seven, John refers to the church as beloved and proceeds by telling them of a new commandment. He says (verses 9-11), Whoever loves his brother, abides in the light and there is no cause for stumbling. But whoever hates his brother is in the darkness, and does not know where he is going, because the darkness has blinded his eyes. From this text, John immediately segues into verses 12-14, to affirm for his followers that as far as they are concerned, there is no darkness in them for they are the children of the Light to whom he was earlier referring. John achieves this transition by employing yet another 1st century Hymn to Christ, which I have entitled, Through His Name. This anthem is an affirmation of the faith, first to the little children, then to the fathers, and then to the young men. What is very interesting is that the first stanza is written in the present tense (I am writing to you) but the second stanza, with very similar wording, is written in the past tense (I have written to you). It’s as if to say, you heard the Gospel message before, and you believed, and I am writing it to you again, so that you may continue to believe.
$1.99
1.86 €
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Choral SATB
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Michael A
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THROUGH HIS NAME
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M.A. Morizio
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SheetMusicPlus
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,…
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
9.33 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Treble Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsich…
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
9.33 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Bass Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
Psalm 119 Tav
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.969526 Composed by Zachary…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.969526 Composed by Zachary Damm. A Cappella,Christian,Sacred,Standards. Octavo. 13 pages. Digital Print Publishing #36709. Published by Digital Print Publishing (A0.969526). The last eight verse section in the twenty-two octets of Psalm 119, the longest chapter of the Bible, Psalm 119 Tav appropriately finishes the theme of the Word of God. Great acappella music for services, choral groups, and piano or organ accompaniments can be easily improvised from the score. Also, look at other titles from this chapter, Psalm 119 Aleph, Bet, Gimel, and Samek or other chapters from the Psalms, Psalm 1, 2, 3, 8, 22, 23, 24, 27, 51, 93, 100, 103, 117, 121, 131, 133, 134, 137, 150.
$2.00
1.87 €
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Choral SATB
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Zachary Damm
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Psalm 119 Tav
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Digital Print Publishing
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SheetMusicPlus
Play - Sing (Multi-dimensional Music Reading Studies)
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1003152 Composed by Onder Oz…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1003152 Composed by Onder Ozkoc. Contemporary,Instructional. Score. 73 pages. Onder Ozkoc #6694811. Published by Onder Ozkoc (A0.1003152). This book has been prepared for the purpose of doing self-accompanied music reading (solfeggio) practice. For this, 70 pieces were designed; with these pieces, it is aimed to develop multi-layered thinking and hearing elements in music. The four parts in the book, which are sorted according to the level of difficulty, are written on a single string, the notes with the stems downwards are accompanied by the notes, and the ones that upwards belong to the reading party. The accompaniment of the pieces is sometimes considered as a single sound, chord, or rhythmic structure, and sometimes as a combination of these structures. The accompaniment, which comes as a rhythmic structure in the 2nd and 4th chapters, is written with rhythmic notation on a separate staff.The accompaniments of the pieces in the first part can be played with instruments such as the piano or guitar, where two or three voices can be played at the same time and music can be played while performing, while the accompaniments are designed only as a rhythm for the parts in the second part can be played by hitting them with the hand or another instrument.The pieces in the third part were written in a way that the upper part can be read when the lower part is played and the lower part is read when the upper part is played, considering the translatable counterpoint technique, thus 4 working ways are derived from one piece. The monophonic accompaniments of the pieces in this section can also be played with instruments that can be read while playing.The fourth chapter of the book contains pieces that combine the understanding of the first two chapters, which can be called advanced when compared to the other chapters.The pieces in the book were read many times with students from different age groups at different levels, and their interpretations contributed to the shaping of the pieces. It is thought that the book, which includes studies that can help with simultaneous melody/rhythm hearing, reading scores, or rhythmic analysis, will contribute to the development of multi-layered thinking and hearing in music by making accompanying music reading studies on its own, and this is a basic requirement for every musician.
$10.00
9.33 €
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Piano, Voice
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Onder Ozkoc
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Play - Sing
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Onder Ozkoc
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SheetMusicPlus
Dies Irae Dodecaphonic
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1029561 Composed by Peter Daniel Kl…
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Piano Solo - Level 5 - Digital Download SKU: A0.1029561 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 13 pages. Peter Daniel Klein #6401141. Published by Peter Daniel Klein (A0.1029561). This musical piece is comprised of two twelve-tone rows, atonal music based on synthetic scales unique to each composition, which are based on medieval plainsong chants whose systemization was begun by Pope Gregory I during the sixth century AD. A simple explanation of this composition is that it is the world's oldest notated music combined with modern 20th-century music theory that eschews traditional melody and harmony for synthetic scales unique to each composition. The music is complex and dissonant, although the conversion of the two plainsong chants to twelve-tone rows retains a semblance of a tonal center at given points throughout. Still, the entire piece of music is that same melody utilized harmonically: just forward, backward, upside-down, backward and upside-down, rhythmically altered, transposed, displaced up or down, or split into smaller cells and then reprocessed in the same way mentioned above. I have also borrowed the Baroque Period techniques of the two-part invention and four-voice fugue combined with serial musical techniques that may offend the average listener's traditional musical sensibilities but make logical structural sense. I used the Dies Irae (The Day of Wrath) and Tuba Mirum (The Last Trumpet Call). The authorship of the chants has been attributed to many saints from Gregory to Thomas of Celano but probably evolved from early Jewish psalmody carried forward by the earliest Jewish converts to Christianity, which further developed into trochaic metered poetry by successive monks. It was set to memorized plainsong heralding back, in part, to Jewish worship. The text of the Dies Irae is very similar to Zephaniah 1:16. The last trumpet call that raises the dead in Christ is comparable to the Apostle Paul's account written in his first epistle to the Corinthians Chapter 15 and first epistle to the Thessalonians Chapter 4. The two epistles may, or may not, be related to the Final of the Seven Trumpets bringing God's Judgement on the earth spoken of in Revelation 11. The relationship of the trumpet mentioned in the epistles to those written about in Revelation divides theologians, but I digress into unrelated matters. Despite the modern theory, the music is still movingly visceral because of its conceptually descriptive nature. It is full of aural symbolism following the Dies Irae and the Tuba Mirum, making it a type of program music ala Hector Berlioz of the Romantic Period. The music is, therefore, genuinely eclectic because it has blended qualities of several musical periods. The final section of the video explains the symbolism. The music difficulty is virtuosic, extremely taxing to play.
$5.99
5.59 €
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Piano solo
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Peter Daniel Klein
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Dies Irae Dodecaphonic
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Peter Daniel Klein
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SheetMusicPlus
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